Adelaide Film Festival 2024: A Journey of Discovery, Creativity, and Conversation
It’s been a while since I have written but I have kept myself busy recently as I participated in the Adelaide Film Festival (AFF) 2024, where I embarked on a whirlwind journey that began even before opening night. My experience started with a screening of The Substance in September, a body-horror film that was as challenging as it was thought-provoking. Though not a regular horror fan, the film's intense portrayal of societal expectations resonated deeply, leaving me questioning the metaphors beneath its disturbing surface.
The excitement really kicked off with the festival's program launch, where I had the chance to meet key players like Matt Kesting, CEO & Creative Director of the AFF, and chat with Australian Film Royalty about the importance of locally made film being programmed in regional cinemas. Dressed in my best vintage finds from CURATE, I immersed myself in the festival's atmosphere, enjoying as much as I could of the diverse array of over 100 films from more than 40 countries.
Adelaide Film Festival 2024 Program Launch at Palace Nova East End. CEO and Creative Director Matt Kesting with Gawler Cinema Curator Eloise Scherer. Photo by Jack Fenby
Highlights of my journey include Dust to Dust, a documentary on sustainable fashion, which showcased the devastating impact of fast fashion and the inspiring efforts of one designer to reshape the industry's future. Something close to the heart of our CURATE clothing business. The Opening Gala featured The Correspondent, a gripping Australian drama about journalist Peter Greste's imprisonment in Egypt. It set a powerful tone for the festival, addressing issues of media freedom with skilful direction and moving performances, particularly from Richard Roxburgh.
I tried out award winners from unexpected corners but was a little disappointed at times with the quality. Grand Tour, a surreal mix of documentary and fiction, left me questioning its meaning, while Dahomey sparked mixed reactions with its slow pace yet important political message. Emilia Perez, a well-deserved Cannes award-winner, and strong female cast was welcome and original, while Future Council—a documentary following young climate change activists—left a lasting impression. These kids are ready to change the world, and their voices, captured so genuinely, gave me hope for the future.
The closing night brought the premiere of Kangaroo Island, my standout film of the festival. This Australian drama about family, shows all the natural beauty of Kangaroo Island and struck the perfect balance between emotional depth and breathtaking visuals, making it a true festival highlight.
As I reflect on my time at the Adelaide Film Festival, I’m grateful for the opportunity to witness such a range of films—each offering new perspectives and fostering conversations about culture, and identity. The AFF has been annualised and now firmly placed in the ‘Festival State’s’ schedule. I can't wait to see what next year will bring, and hopefully in 2025 Gawler Cinema might have the opportunity to be part of this wonderful event.
